What I Really See When I Look At Your Brand Photos

And why it matters more than you think.

The Honest Edit brand imagery audit cover, a woman relaxing on a couch with her hands behind her head against an exposed brick wall in a moody, warmly lit studio, Jama Finney Photography brand and portrait photographer in Louisville and Indianapolis

I have opinions about grey backdrops for branding photos.

Strong ones.

Here's one. The grey seamless backdrop is the khaki pants of brand photography. Safe. Unremarkable. The visual equivalent of saying absolutely nothing at all.

And look, I get it. Nobody chose grey because they wanted to vanish. You chose it because someone showed you neutral reads professional. Because it photographs "clean." Because nobody ever got fired for grey.

But here's the rub, nobody ever got remembered for it either.


Here's another one.

I have watched very confident, very accomplished CEOs become completely stumped by their own hands the second a camera shows up. Women who can close a six figure deal without blinking, frozen mid handshake with themselves, unsure where their limbs go. It's not vanity. It's not even nerves, not really.

It's that nobody ever taught them what to do with their body when the thing being spotlighted is them.

(Nobody warns you about the hands. I should really put that on a business card.)

I think about this constantly, because if you're a creative, an executive, or an entrepreneur, your images are already part of your sales process. Whether you planned that or not.

A CEO came to me a while back. Successful. Great portfolio, strong client list, the kind of business that could have been printing money faster than it was. His photos told a different story. Stiff. Overly corporate. A headshot from three roles ago sitting on his LinkedIn like a placeholder that forgot to get replaced. Nothing on his site looked like the man I was actually sitting across from, sharp, warm, funny, a little irreverent. The gap between him and his photos was quietly costing him connection. People decide who you are before you open your mouth. His photos were making that introduction for him, and they were wrong.


What are your photos saying about you?
Get The Honest Edit, my free 17 page brand imagery audit. Five things I look for. No sugarcoating.


That's the thing about brand photography nobody tells you upfront.

It's not a fancy wardrobe update. It's not vanity. It's the fastest, quietest sales tool you own, and most people have no idea what theirs is currently saying.

So I built something.

The Honest Edit is a free, no fluff, seventeen page audit of the five things I look for when I evaluate someone's brand imagery. Grey backdrops. Stiff hands. The gap between who you are and what your photos say. Zero sugarcoating, because sugarcoating doesn't get us anywhere brilliant.

Ten minutes. Five things. And a much clearer read on whether your photos are opening doors or quietly closing them.

Grab it. See what yours are really saying.

Onward.

xx J.

All images copyright JAMA FINNEY 2026

 
female photographer self portrait black top

About the Author

Jama Finney is a Louisville-based brand, portrait, and food photographer who thinks in narrative before she ever picks up a camera. Trained in pastry arts, formerly the person orchestrating large-scale events, currently the person asking too many questions during your planning call because she wants to actually know you before she photographs you.

Her work blends editorial-level branding imagery with a portrait eye, capturing entrepreneurs, founders, and creatives who are ready to look like themselves and mean it.

She works with clients across Louisville, Indianapolis, and beyond, plus a growing slate of restaurants and food brands who've figured out that a menu photo and a brand photo are not the same thing.

When she's not shooting, she's probably writing (a memoir, currently, tentatively titled Developed in Darkness) or overthinking a grey backdrop somewhere on your behalf.

Interested in working together? Explore branding sessions or here.

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